Design设计,2023,8(3),1619-1625PublishedOnlineSeptember2023inHans.https://www.hanspub.org/journal/designhttps://doi.org/10.12677/design.2023.83195文章引用:范旺韬,任利民.块茎思想下吸血鬼形象设计策略研究[J].设计,2023,8(3):1619-1625.DOI:10.12677/design.2023.83195块茎思想下吸血鬼形象设计策略研究——以动画电影《精灵旅社》为例范旺韬，任利民浙江理工大学艺术与设计学院，浙江杭州收稿日期：2023年8月10日；录用日期：2023年9月6日；发布日期：2023年9月14日摘要德勒兹思想不拘泥于传统哲学框架，构筑了多维、去中心、动态、原创性的思维模式。块茎作为其思维的基石，具备连接性、异质性、多元性、非意谓断裂性、绘图性、转印性等多种特征。本论文运用块茎思想及相关特征，结合具体佐证案例，探讨这一思想下的吸血鬼形象设计策略，有利于丰富设计创意路径，赋予吸血鬼形象更多层次意义，为艺术创作应用提供有益启示。关键词块茎，吸血鬼形象，形象设计ResearchonVampireImageDesignStrategyunderTuberThought—TakingtheAnimatedFilmHotelTransylvaniaasanExampleWangtaoFan,LiminRenSchoolofArtandDesign,ZhejiangSci-TechUniversity,HangzhouZhejiangReceived:Aug.10th,2023;accepted:Sep.6th,2023;published:Sep.14th,2023AbstractDeleuze'sthoughtdoesnotsticktothetraditionalphilosophicalframework,butconstructsamul-ti-dimensional,decentralized,dynamicandoriginalthinkingmode.Asthecornerstoneofhisthinking,tuberhasmanycharacteristics,suchasconnectivity,heterogeneity,pluralism,non-meaningfracture,drawing,andtransferprinting.Usingtuberthoughtandrelatedcharacteristics,combinedwithspecificsupportingcases,thispaperdiscussesthedesignstrategyofvampireim-范旺韬，任利民DOI:10.12677/design.2023.831951620设计ageunderthisthought,whichisconducivetoenrichingthecreativepathofdesign,givingvampireimagemorelevelsofsignificanceandprovidingbeneficialenlightenmentforartisticcreationandapplication.KeywordsTuber,VampireImage,ImageDesignCopyright©2023byauthor(s)andHansPublishersInc.ThisworkislicensedundertheCreativeCommonsAttributionInternationalLicense(CCBY4.0).http://creativecommons.org/licenses/by/4.0/1.引言吉尔·德勒兹的“块茎思想”出现在他与费利克斯·加塔利合...
