纺织报告|FANGZHIBAOGAO47现代潮绣设计的图式呈现与符号语义—以孙庆先“金龙鱼”系列潮绣作品为例杨秋华（深圳职业技术学院艺术设计学院，广东深圳518055）SchemapresentationandsymbolicsemanticsofmodernChaozhouEmbroiderydesign:takingSunQingxian’s“GoldenDragonFish”seriesofChaozhouEmbroideryworksasanexampleYangQiuhua（SchoolofArtandDesign,ShenzhenPolytechnic,Shenzhen518055,China）AbstractChaozhouEmbroideryisabranchofGuangdongEmbroidery,oneofthefourfamousembroideriesinChina,anditisalsoanembroideryvarietywithuniqueaestheticcharacteristicsinChaoshanarea.Boththeschematicstructureandsymbolicsemanticshavedistinctiveandstronglocalcharacteristics,anditisatypicalcaseoftheexchangedevelopmentofChaoshanlocalcultureandvariouscultures.Atthemomentwhenthecountryvigorouslyadvocatesandprotectsintangibleculturalheritage,thispaperusesphilology,iconologyandfieldresearchasthemainmethods,explorestherelationshipbetweentheschemapresentationandthesymbolicsemanticsoftraditionalChaozhouEmbroideryandreligiousbeliefs,Buddhistlegends,historicalallusions,andfolkstories,andanalyzestherelationshipbetweenthepresentationandtransformationofmodernChaozhouEmbroideryinnovativedesign,aswellastheexpansionofthesymbolicsemanticsandsocialeconomyandculturaldevelopmentfrommultipleperspectives,exploresthefeasibilityoftheintegrationofmodernChaozhouEmbroideryinnovativedesignandsociallifedevelopment,inordertoprovideatheoreticalbasisforreferenceandafeasiblepathforinnovativedesignpracticetopromotethemodernizationandmarketizationofChaozhouEmbroidery.KeywordsChaozhouEmbroidery;schematicstructure;symbolicsemantics;tradition;modern摘要潮绣是中国四大名绣之一—粤绣的一个分支，也是潮汕地区独具审美特色的刺绣品种，图式结构、符号语义都具有鲜明、浓郁的地方特色，是潮汕本土文化和多种文化交流发展的典型案例。在国家大力倡导保护和传承非遗文化的当下，文章以文献学、图像学和田野调查为主要方法，在探究传统潮绣图式呈现和符号语义与宗教信仰、佛教传说、历史典故、民间故事相互关系的基础上，多角度剖析现代潮绣创新设计的图式呈现、变革以及符号语义拓展与社...
