看，屏幕上的舞者！Look,theDancersareontheScreen!ContemporaryDanceResearchVolume7,Issue3(2022)87林洁【内容摘要】舞蹈影像的定义和边界在不断拓展，文章提出，狭义的舞蹈影像是指结合影像思维与技术进行编舞和表演的舞蹈及其屏幕呈现，广义的舞蹈影像包括舞蹈电影、电视舞蹈、舞台影像、舞蹈影像，它们都是在影像思维与技术的前提下进行的，每个种类有各自的特性。通过对2022年北京国际舞蹈影像艺术季展映作品的观摩和代表性剧目的分析，文章将狭义的舞蹈影像作品的创作现状分为四种类型：舞蹈和影像皆弱、舞蹈和影像皆强、舞蹈弱影像强、舞蹈强影像弱，提出舞蹈和影像之间的关系重点不是影像对舞蹈的侵蚀，而要关注舞蹈在其中的弱化，以及当前舞蹈编导和演员群体投入舞蹈影像创作不足的现象。【关键词】北京国际舞蹈影像艺术季；舞蹈影像；舞蹈电影；电视舞蹈；舞台影像【中图分类号】J70—05【文献标识码】A【文章编号】2096—3084(2022)03—0087—07【DOI】10.20070/j.cnki.cdr.2022.03.010【Title】Look,theDancersareontheScreen!—Observationonthe2022BeijingInternationalDanceVideoFestival【Author】LinJie【Abstract】Thedefinitionandboundariesofdancevideosareexpanding.Thispaperproposesthatdancevideoinanarrowsensereferstodanceanditsscreenpresentationthatcombinesvideothinkingandtechnologyforchoreographyandperformance,whiledancevideoinabroadsenseincludesdancefilm,TVdancing,stagevideo,anddancevideo,allofwhichareperformedunderthepremiseofvideothinkingandtechnology,andeachhasitscharacteristics.Throughtheobservationoftheworkspresentedinthe2022BeijingInternationalDanceVideoFestivalandtheanalysisofrepresentativerepertoires,theauthordividesthecurrentcreationofdancevideoworksinanarrowsenseintofourtypes:weakeningofbothdanceandvideo,intensifyingofbothdanceandvideo,weakeningofthevideoandintensifyingofthedance,andweakeningofthedanceandintensifyingofthevideo.Thispaperpointsoutthatthefocusoftherelationshipbetweendanceandvideoisnotontheerosioneffectofthevideoondance,butontheweakeningofdanceinthevideo.Moreover,thispaperalsosuggestsaninsufficientcommitmentofchoreographersandperformerstothecreationofdancevideoscurrently.【Keywords】BeijingInternationalD...
