Culture·Theory文化·理论·91·季睿1李胜2*(1浙江农林大学风景园林与建筑学院硕士研究生)(2浙江农林大学风景园林与建筑学院副教授硕士生导师)#基金项目:国家林业和草原局软科学项目(2020131027)资助[摘要]为了理解古典园林不同用地模式声景观的特征和内涵,从《园冶》相地篇入手,将《园冶》6种分类按照地理环境要素重新划分成“山林别墅”与“城市山林”两大主要体系,分别以“山林地”模式与“城市地”模式作为体系代表,并选择明末江南名园寄畅园、拙政园作为典型案例,从诗文、图画、园林三方面分析明末不同用地模式声景观特征和营造特点,总结得出:一,“山林地”模式多使用“借声”的方式系统地取自然声为胜。而“城市地”模式常借助多重理法分散地协调人工声和自然声;二,“月下听泉”“听风”“听雨”等经典范式的运用和视听等多感官维度融合的理法已经在明末成熟,与诗画等历史人文因素共同影响园林听赏文化的发展;三,声景存在加固人和自然的情感联结和移情的功效。相关结论旨在为中国古典园林声景研究提供理论基础,并在实践层面借古开今,为现代园林声景营造提供思路和引导。ABSTRACT:Inordertounderstandthecharacteristicsandconnotationsofvariouslandpatternssoundscapeinclassicalgardens,thesixclassificationsof"SiteInvestigation"inYuanYearedividedintotwomainsystemsof"MountainVilla"modeland"UrbanMountainForest"modelsfromtheperspectiveofthegeographicalenvironmentelements.Consideringthatthetwosystemsarerepresentedbythe"MountainForestLand"modelandthe"UrbanLand"model,theprominentgardensinJiangnanduringtheendoftheMingDynasty,suchastheJichangGardenandtheHumbleAdministrator'sGarden,areselectedasrepresentativeexamples.Then,thestudyinvestigatesthecharacteristicsandconnotationsofvariouslandpatternslandscapefromthreeperspectives:poetry,art,garden,andcomestothefollowingconclusions:Firstly,the"mountainforestland"modelemploysthetechniqueof"borrowingsound"tosystematicallytakethenaturalsoundasthewinner.Multipletheoriesandmethodsareusedbythe"urbanland"modeltocoordinateartificialsoundandnaturalsound;Secondly,theuseofclassicalparadigmssuchas"listeningtothespringunderthemoon","listeningtothewind"and"listeningtotherain"andtherationalefortheinteg...